TIME COMPENDIUM
Time Compendium reimagines moments from the past through triptychs of images and layered storytelling. With the assistance of AI LLMs, each drop captures a slice of life where history, culture, and personal experience intersect.
With nuanced observation and emotional resonance, the project invites viewers to rediscover forgotten spaces and the quiet textures of lives once lived. More than just a reflection on history, Time Compendium explores how memory shapes our present and future.
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Imagined as a weekly vignette of three works with accompanying short essay, the project is an episodic collectible series.
The stairs down to Hop Kee always felt like a passage to something different. Not better, not worse—just different. Above ground, New York’s rhythm never stopped, but below, time slowed. The air changed. Conversations had a way of lingering longer than they did anywhere else.
It was late, and the last few tables were still occupied. A sanitation worker, his uniform marked by the day’s labor, leaned back with a cup of tea, staring at nothing in particular. Behind the counter, the staff moved in their own quiet rhythm, speaking in tones that barely rose above the hum of the fluorescent lights. Outside, the neon sign cast its glow onto the wet pavement, refracted in puddles left by an earlier rain. The city upstairs seemed distant, unreal, as if it had decided to pause for once.
Hop Kee was never about grand statements or declarations. It wasn’t about stories that demanded to be told. It was about the ones that weren’t. A clerk at City Hall who filed papers all day without recognition. A sanitation worker whose hands bore the weight of a city’s waste. A table in a basement where, for an hour or two, none of that mattered.
The food was good, yes, but that wasn’t why people came. They came because it was constant, unchanging. A refuge in a city that rewrote itself every day. Hop Kee didn’t ask for anything. It didn’t judge. It simply was. And for those who found their way down its steps, that was more than enough. June, 1988